ONE:The prince assumed to make a personal application of this. Herod meant the Crown Prince; Herodias, his boon companions; and John the Baptist was the chaplain. To punish the offender, the prince, with several brother officers, went at night, smashed the windows of the chaplain, and threw in a shower of fire-crackers upon him and his wife, who was in delicate health, driving them in dismay out into the stable-yard. The stern old king was very indignant at this conduct. Grumkow affirms, we hope falsely, that the prince threw the whole charge upon his associate officers, and that they were punished for the deed, while he escaped.The Crown Prince did not fancy this connection at all. His first wish was to journey about, through the courts of Europe, to select him a wife. But that measure his father would not think of. Frederick professed a willingness to submit to marry Anna, Princess of Mecklenburg, or the Princess of Eisenach. Seckendorf, the embassador of the emperor, aided by Grumkow, who had been bribed, urged the marriage with Elizabeth. The king adopted their views. His decision was like a decree of fate. The following letter, written by the king to his son, dated Potsdam, February 4, 1732, very clearly expresses his views:
TWO:The king himself became much fascinated with the personal loveliness and the sparkling intelligence of the young dancer. He even condescended to take tea with her, in company with others. Not long after her arrival in Berlin she made a conquest of a young gentleman of one of the first Prussian families, M. Cocceji, son of the celebrated chancellor, and was privately married to him. For a time Barberina continued upon the stage. At length, in the enjoyment of ample wealth, she purchased a splendid mansion, and, publicly announcing her marriage, retired with her husband to private life. But the mother of Cocceji, and other proud family friends, scorned the lowly alliance. A320 divorce was the result. Soon after, Barberina was married to a nobleman of high rank, and we hear of her no more.
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